The Island

A man goes on the run after he discovers that he is actually a "harvestable being", and is being kept as a source of replacement parts, along with others, in a Utopian facility.

Michael Bay is not a name that is frequently associated with films that are particularly profound. The Island doesn't buck this trend entirely, but does more than enough to cement its place as his most cerebral work to date.

The science fiction aesthetic at work here is by far the easiest with which to suspend disbelief. The environments are futuristic, but not so much so that the world feels alien at any point. There are, however, some issues with consistency in the dates given for when these events are taking place, but the specifics are not where the film's magnetism lies.

The story is centred on a moral dilemma, posing a number of philosophical questions in the process. It also taps into a topical discussion on the implications of growing replacement organs and the kind of scenarios that this might lead to. The breadth of the exploration isn't particularly far-reaching, but is mostly responsible for the more intelligent elements of the film. It gives the rest of the action a weightier feel, preventing this from becoming just another explosive romp completely devoid of a brain. It won't keep you up at night, but the plot is sturdy enough to provoke at least some contemplation as the narrative plays out. 

There is a noticeable shift in pace after the initial scene setting has been done, the action set pieces coming thick and fast. Bay tends to split opinion as a film-maker, but there can be no doubt that he is very good indeed at what he does. There are sometimes criticisms levelled that the sequences he brings to the screen are somewhat repetitive across movies (think highway chase scenes with cars being flipped like Matchbox toys and a skyscraper's worth of breaking glass). There may be some credence to this, but for me, it doesn't make it any less breathtaking to experience when the picture is in full flow.

As for the performances, all concerned put in decent displays, with the highlight being Steve Buscemi. His ability to carry a scene is just as potent here as it has ever been, bringing some light relief in the process and pushing the movie forward. The remainder of the supporting cast also throws up some pleasant surprises, the childlike attitude of a few of the characters affording ample opportunity for the actors to have some fun.

The Verdict:

7/10
An action flick with at least some semblance of intelligence. High octane is the order of the day and it's done with both style and audacity.