Hugo

Set in 1930s Paris, an orphan who lives in the walls of a train station is wrapped up in a mystery involving his late father and an automaton.

The family film is a genre that can throw up all sorts of dire nonsense that is difficult to watch, leaving you wondering how it even appeals to the children that it purports to be made for. Hugo is anything but painful viewing and has everything needed to ensure that it will be looked upon with misty-eyed nostalgia by the younger audience members for years to come.

This is a film that marks a huge departure for director, Martin Scorsese. Never before has he deviated so far from the style and content of the work he is so renowned for. Clearly this isn't going to be Taxi Driver, Goodfellas, or Casino, but you can be assured that the gift for storytelling that he possesses, and has worked so hard to perfect, is fully represented here.

There is a real sense of magic in the movie, seeing the world through a child's eyes where the possibilities are endless and adventure lies around every corner. The mood put me in mind of Jean-Pierre Jeunet's Amélie, which is no bad thing, and it has just as much charm as its French counterpart. This is not to say that it's lacking in drama or heartache. The premise lends itself to a wistful sadness that permeates some of the more emotional scenes and provides the backdrop for the youngest of the cast to shine.

In addition to the performances, much of the picture's vitality stems from the use of some older effects techniques that have mostly been replaced by CGI in modern movies. Stop motion animation in particular is used to great effect and shows that, when done well, it can still hold the power to captivate. It also ties into an overwhelming theme of the plot, which is an unreserved affection for cinema as a whole. Harking back to the genesis of film will resonate strongly with lovers of the medium and there is a definite aim to inform in this respect, as well as entertain.

Ultimately, this is a film that does exactly what it is intended to do. There's plenty to keep the kids amused (with a few subtle adult jokes that will go over their heads) and more than enough to make it worthwhile for just about anyone, especially those with an affinity for cinema. This kind of movie magic is in short supply these days and Scorsese brings it back in terrific style.

The Verdict:

7.5/10
A film that is full of wonder and charming as they come. The passion for cinema is clearly evident and both kids and adults alike are thoroughly catered for.